Monday, April 15, 2024

The WingMakers

In 1972 , mysterious artifacts were found that led to one of the most intriguing scientific and anthropological discoveries ever made. A secret, unacknowledged department of the NSA -- responsible for extraterrestrial contact and technology assimilation -- took the discovery into their laboratory for the purposes of their own agenda. This secret organization is known as the Advanced Contact Intelligence Organization (ACIO) and has enjoyed complete anonymity until now.



The discovery -- referred to by the ACIO as the Ancient Arrow project -- consisted of 23 chambers and connecting tunnels hollowed out deep within a huge, natural rock structure in a remote canyon of northern New Mexico. Inside this massive and well-hidden structure were incredible artifacts of a culture that was of indeterminate origins. In each of the 23 chambers were found wall paintings, various alien technologies, and strange, encoded hieroglyphs. By most appearances, the discovery was like a natural history museum from an alien race. It became known among the researchers as ETC or Extraterrestrial Time Capsule.

Because of carbon-dating analyses, it was initially assumed that this time capsule was left behind by extraterrestrials that had visited earth in the 8th century AD. However, it wasn't until 1997 that the encoded language found within the site and its artifacts became accessible to the ACIO. It was then that it was determined that the time capsule was actually designed and built by a future version of humankind who were adept at interactive time travel. They called themselves, WingMakers.

One of the scientists from the ACIO involved in developing the translation tables for the Ancient Arrow project, defected in December 1997, and has disclosed this secret project to a journalist named Anne. Anne is the author of this web site, and, under agreement with the aforementioned scientist, has placed these materials on the Internet for the purpose of exposing the WingMakers' time capsule to all who want to see, hear, and read its poignant and provocative message.

There are hundreds of pages of philosophy, photographs, poetry, new physics, music, and artifacts inside this site, all derived from the WingMakers' time capsule. This discovery is being introduced in December 1998 to a worldwide audience through the Internet. Please treat these materials respectfully and view them with an open mind. It is highly recommended that you read the Interview Transcripts between Anne and the scientist before you judge the validity of this site and the materials therein. At the very least, read the Story. This will give you the background on this important discovery.

According to the records of the Ancient Arrow site, it was the WingMakers who originally seeded life upon earth and facilitated life's evolutionary leaps and biological transformations.

The Wingmakers initially broke into the public consciousness through the disclosure of the Wingmakers time capsule at the Ancient Arrow site near Chaco Canyon New Mexico, an ancient puebloan site. For years, Chaco Canyon was known for displaying technological, organizational, and engineering feats typically not seen at all in its time period or region.

This time capsule was found to be elaborately carved into the side of a mountain with a series of chambers containing art, artifacts, poetry, philosophy, and advanced technology that doesn’t seem to match the time period of when the time capsule was built. Ever since the initial discovery and disclosure of the Ancient Arrow site in the 90s, much of the story surrounding the site and the Wingmakers agenda had been left shrouded in mystery. However this did not stop it from becoming relatively well known within the truth and conspiracy communities over the years.

The Ancient Arrow site is a remarkable structure, described in great detail in the book The Ancient Arrow Project. Diagrams have been built, artist’s renditions, as well as videos that show the structure of the site, some of which are below.

While the Ancient Arrow site was the first site to be discovered, there are seven sites in total, one for each of earth’s seven continents. The seven sites are named below, in the order they were discovered:

Ancient Arrow: New Mexico site, near Chaco Canyon 

Hakomi:  Near Cuzco, Peru, South America

Zyanya: Southern China, near Canton

Aadhya: South central Australia

Jumala: North of Helsinki, Finland 

Mawu: North central Africa in the vicinity of Lake Chad

Pillan: Antarctica in Wilkes Land near Vostok

Each of the seven sites contained 24 chambers that held various artifacts of an alien culture. These artifacts were integral expressions of a spiritually-minded race referred to in the WingMakers materials, as the Central Race. These included chamber paintings, poetry, philosophy, cosmology, and music. Currently, four sites (in the order they were discovered) have been disclosed in terms of poetry and art. 

One can think of these sites as extraterrestrial time capsules, a reference made in The Ancient Arrow Project book. Collectively, these sites contain the necessary ingredients for the human species to make the penultimate discovery, known in the materials as the Grand Portal or the irrefutable discovery of the human soul. This is the ultimate purpose of humankind: to live on earth as self-realized consciousness. To bring earth and soul consciousness together as a coherent expression.  

In the book, The Ancient Arrow Project, it describes in great depth how the Ancient Arrow site was discovered by a secret government agency known as the ACIO (Advanced Contact Intelligence Organization). It also provides descriptions of the artifacts and how they were decoded by the ACIO.

According to Peter the Insider, the Wingmakers Project is in fact an authentic initiative that originated from the 15th Division of the ACIO which was initially founded in 1806. As well known as the Wingmakers story had become, it really did not come close to being representative of the ACIO 15th division agenda, or the overall agenda of the entire ACIO. More accurately, it likely represented just 2% of the total initiatives that the 15th division was involved in. 


An Optical Disk was found in the 23rd chamber of the WingMakers' time capsule. Part of the disk was decoded and here is the philosophy of the Windmakers

Philosophy of the Windmakers

There are three particular life principles that help to align your perspective with the perspective of divine essence and thus inspire profound transformation.

They are:

1) Seeing the Divine in all
2) Nurturance of life

3) Gratitude

When you apply these principles, a deeper meaning will be revealed to the seemingly random events of your life experience – both in the personal and universal contexts.


The WingMakers are a small team of Sovereign Entities that have designed time capsules that are catalytic in forming a Sovereign Integral perspective. Each time capsule is, in actuality, a selection system that attracts specific entities to utilize their human instrument in wholeness. This develops their sixth and seventh sense, which enables them to learn how to step out of time and the hierarchy�s control. When they can do this, they can design the synthesis model of existence within terra-earth�s hierarchical system.


The disk has music associated with it.

Each room out of 23 has a painting and there is a song associated with each painting from the disk.

Anne:
"Was the music already on the optical disc and you simply captured it from the disc, or was it basically produced by the Labyrinth Group based on the musical notations?"

Dr. Anderson:
"Actually, it was a bit of a combination of the two. Their musical notations were very precise and they left digital samples of each of their instruments - even vocals. So we simply translated their digital samples to a MIDI standard and produced our own version of their music. Of all the things that we've translated, the music was the easiest to produce, but also the one that we're not sure as to its accuracy."

Here is a sample music and art of the place.

https://www.youtube.com/watch?v=n3ds8aUluWs&list=PLjr9i9JobhBFgRt-_t1ltrhkY_EsIiWOj&index=7

Each room has also associated a poem with the painting and music.

Here is a sample poem translation in English.

Chamber 23: Separate Being 

Waking this morning,

I remember you.

We were together last night

only a thin sheet of glass between us.

Your name was not clear.

I think I would recognize its sound,

but my lips are numb

and my tongue listless from the

climb to your mouth.

Your face was blurred as well,

yet, like a distant god

you took your heart and hand

and there arose within me

a separate being.

 

I think you were lonely once.

Your only desire, to be understood,

turned away by some vast shade

drawn by a wisdom

you had forgotten.

So you sang your songs

in quiet summons to God

hoping their ripples would return

and gather you up.

Continue you.

Brighten your veins

and bring you the unquenchable

kiss of my soul.

 

Drunken by a lonely name

you stagger forward

into my nights, into my dreams,

and now into my waking.

If I try to forget you

you will precede my now.

I would feel your loss

though I can’t say your name

or remember your face.

I would awaken some morning

and long to feel your skin upon mine

knowing not why.

Feeling the burn of our fire

so clearly that names and faces

bear no meaning

like a candle flicking its light to the

noonday sun.


Chamber 24: Beckoning Places

 

Of beckoning places

I have never felt more lost.

Nothing invites me onward.

Nothing compels my mouth to speak.

In cave-like ignorance, resembling oblivion,

I am soulless in sleep.

Where are you, beloved?

Do you not think I wait for you?

Do you not understand the crystal heart?

Its facets like mirrors for the clouds

absent of nothing blue.

 

Invincible heaven with downcast eyes

and burning bullets of victory that peel through flesh

like a hungry ax,

why did you follow me?

I need an equal not a slayer.

I need a companion not a ruler.

I need love not commandments.

 

Of things forgotten

I have never been one.

God seems to find me even in the tumbleweed

when winds howl

and I become the wishbone in the hands

of good and evil.

Why do they seek me out?

What purpose do I serve

if I cannot become visible to you?

 

You know, when they put animals to sleep

children wait outside

as the needle settles the debt of pain and age.

The mother or father write a check and

sign their name twice that day.

They drop a watermark of tears.

They smile for their children

through clenched hearts beating

sideways like a pendulum

of time.

 

And I see all of this and more in myself.

A small animal whose debts are soon to be settled.

Children are already appearing outside

waiting for the smile of parents to reassure.

The signature and watermark

they never see.

 

Of winter sanctuary

I have found only you.

Though I wait for signals to draw me from the cold

into your fire

I know they will come

even though I fumble for my key.

Even though my heart is beheaded.

Even though I have only learned division.

I remember you

and the light above your door.


The original writings, poems, and paintings of the WingMakers were simply sharing powerful information and inspiration on the transformation currently taking place on our planet with no hint of fear for our future. This transformation described by the WingMakers involved the shift to a new paradigm where an ever-increasing number of people realize that the deepest answers in life are found not by searching outside of ourselves in the way of the old hierarchical paradigm, but rather by searching within our own divine essence to find deeper connection with all around us.


Links

https://www.wanttoknow.info/wingmakers


https://www.wanttoknow.info/wingmakersorig/wingmakerschanges

Interview One: https://www.WantToKnow.info/wingmakersorig/wingmakersinterviews1changes.pdf

Interview Two: https://www.WantToKnow.info/wingmakersorig/wingmakersinterviews2changes.pdf

https://acio-official.org/2021/06/27/the-wingmakers-and-their-connection-with-the-acio/



Life Principles of the Sovereign Integral

FOOTNOTES

1. The Sovereign Integral is a pure consciousness that is simultaneously a unique individual and a point of connection to the Integral force that connects all life across spacetime and the realms of duality.

2. In the realm of duality, where the collective mind of a species, in a particular spacetime, agrees on a consensus reality; this is the shared half of the Social Program. The other half is the unique Social Program that is experienced by the Sovereign. The Social Program contains both halves, and is actually the Integral in duality, reduced in its function and capacities by the dimensions of existence that are dual in nature.

3. This form of love is defined as the overlap of the Sovereign, the Integral, and Sovereign Integral. It is love as an integrative force that fully appreciates free will. It is discussed in more detail in Section 2.

4. Defined in paragraph 139...

5. Animals, insects and plants have a Sovereign that is their body-ego. This is part of the fractal nature of the Sovereign.

6. Defined in paragraph 162...

7. Heart virtues, as presented in the WingMakers materials, consist of six primary behaviors: appreciation, compassion, forgiveness, humility, understanding and valor. When they are expressed, these behaviors are bestowed to the Sovereign, not to the body-ego. The expression of the heart virtues is both to oneself and any life form that shares our spacetime (the infinite moment).

8. In the WingMakers philosophy this transformation and the path therein, was termed: I am We are.

9. A friendly reminder, body-ego is not exclusively human or a three-dimensional existence.

10. Defined in paragraph 183...

11. Defined in paragraph 190...

12. The Mandorla of Empowerment is a consciousness of love that has three parts: The Sovereign, the Integral, and the Sovereign Integral. It is the widest, highest, deepest, knowable love by a human being in the early part of the twenty-first century. The experience and expression of this mandorla is the underlying purpose woven into the “DNA” of the Sovereign.

13. Defined in paragraph 166...

14. Defined in paragraph 155...

15. The two behaviors are defined in section 6: Conclusion.

16. Defined in paragraph 146...

17. Vesica piscis is an ancient symbol threading its way into the history of human beliefs and culture. It denotes the intersection and overlap of two opposites or distinctly different states. It is the Integral symbol. It has permeated human time, perhaps as the strongest of all collective unconscious symbols, always hidden in plain sight.

18. Reaching perfection only to tear it down and start over again infinitum.

19. Noumenon: The thing that is inaccessible to experience. It is hidden by phenomena. The thing itself, as distinguished from a phenomenon, is not sought or perceived. It is dimly existent in our conscious lives, if at all. To the extent it is understood, it is understood unconsciously.

The factors and relevant variables in our analysis are the following (in no particular order of importance):

  • The wall painting's apparent story
  • The wall painting's symbols
  • The wall painting's colors and relative shapes
  • The wall painting's star patterns
  • The wall painting's geographical landmarks
  • The wall painting's subject matter
  • The wall painting's relative size
  • The wall painting's relative order in the 23 chambers
  • The wall painting's position on the chamber wall
  • The wall painting's relative distance from each other
  • The possible relationship between the wall painting and the artifacts in the chamber
  • The possible relationship between the symbols within a particular wall painting and the pictographs and petroglyphs painted or carved around the Ancient Arrow site.

Link

https://wingmakers.com/art/mixedmediagallery-ha/


Canada - What is Allodial Title?

 


The video has a transcript
Allodial Title
Fraud 
Banking
Historical Documents
Dominion of Canada

Thursday, April 4, 2024

Clean SILVER Plates

SILVER PLATED FLATWARE: Why & How To Clean

“DID YOU GROW UP WITH A SILVER SPOON IN YOUR MOUTH?”

We’ve all heard the above quote, the ancient wealthy all used SILVER flatware. If it’s good enough for them, it’s good enough for us. I bought vintage ROGERS BROS silver plated flatware & that’s all I use. I do hand wash all of my flatware; DO NOT PUT IT IN THE DISHWASHER.


HOW TO CLEAN SILVER PLATED FLATWARE:
• Line biggest stainless steel pot with ALUMINIUM FOIL, shiny side up
• I put knives on bottom, spoons scattered next, then scatter forks on top
• 7 TBSP baking soda sprinkled on top
• 7 TBSP salt sprinkled on top
• Cover with boiling hot water - all flatware should be submersed, put pot lid on
• I let sit for 2-3 hours
• Hand wash with soap & dry